So many songs on Breaks Co-Op's second album start off well but wither away quickly. Most tracks are dull and contain cringeful lyrics. There are, however, some glimpses of quality.
Albums like this should in theory be reviewed in our main section, but the Back To Mine albums are marketed as post-clubbing chill-out sessions for the dance market.
At the end of the last decade, Philip King was best known as a founder member of Scullion and writer of the music to the Frank O’Connor translation of the Irish lyric ‘I Am Stretched On Your Grave’. However, since setting up Hummingbird Productions with his partners Nuala O’Connor and Kieran Corrigan in 1987, he has established himself as one of the country’s leading makers of films about Irish music and culture, including acclaimed series such as Bringing It All Back Home, A River Of Sound, and Sult. Here he talks to Peter Murphy about the current Irish climate for independent film-makers, his stop-start relationship with RTE, and post-Riverdance Irishry. Pics: Cathal Dawson
Antony Hegarty casts an unforgettable shadow on stage, he gesticulates awkwardly as he sings with the painfully controlled energy of an artist who exorcises his demons through his vocal chords.
If a city can be defined by a catchphrase, then Let the good times roll epitomises new orleans. Landing in The Big Easy slap-bang in the middle of Mardi Gras, siobhan long gets a crash course in gumbo, voodoo, hot music, chilling crime and, believe it or not, legal Ecstasy. But, most of all, she gets a masterclass in how to party. Pix: steve lasky and cathy anderson
When massive attack decided that they'd meet the press in Dublin, stuart clark got just thirty minutes to prepare for the
interview. But he still manages to talk to 3d about music, football, the band's new album Mezzanine - and the difficulties of making sweet leurve to the sound of your own records.
A new album, a new producer, a new sound and a new lease of life so where better to launch mary black s Shine than in New Orleans? Report and
interview: siobhAN LONG
A new album, a new producer, a new sound and a new lease of life so where better to launch mary black s Shine than in New Orleans? Report and
interview: siobhAN LONG